the dutch lowriders collective present a mini album by spanish producer slam funk!. this record is strands maiden voyage into funk sounds from the 70s and 80s with an unconservative spirit. slam funk! is not a look back to the past but a vision of what today and the future could be like. mixing up old school funk vibes and instruments with modern sounds and vocoders. 8 tracks drenched in that computer funk we know of the lowriders.
strand delivers a cool synthetic slice of funk on purple coloured 12 inch vinyl.

elitechnique is back! intrusion is a 8 track ep with some stunning tracks. the pair (remco de jong aka phako and florentijn boddendijk) find an ongoing source of inspiration in disco and electronic obscurities as weve learned from their previous releases (which have been played and charted by all the big names in modern disco), but combine this with their fascination for the great 60s and 70s soundtracks! the result is a timeless imaginary sound track that adds sex and intrigue to their music and unleashed from the chains of dancefloor productions. on this intrusion album they take freedom to play around with atmosphere, intensity and tension without only keeping the focus on the dance floor. the result is a great versatile ep which feels like a soundtrack for a 70s french movie! both being skilled producers and musicians the result is an album extraordinaire with all instruments and music played,recorded and arranged by themselfs over a period of more then a year! first 500 numbered copies come as collectors edition with full colour artwork and extra heavy vinyl!

italian techy sounds at their best. danilo vigorito knows how to balance out his sound on this splendid 12. chordy but rolling techno patterns and atmospheric topsounds. this is hard to place in a box which makes it extra fun. where dark star is a somewhat mysterious and ethnic sounding opener the remaining two tracks are chordy techno at its best.

on the release number 013 with the first remix for the blackfox crew, the catalogue number 014 completely devotes itself to the belorussian dj, producers and label owner pasha joint, better known under the likeable alias trockensaft. with nearly 30 releases in the back anything but unknown in the business!

some proper quality house music on the 3rd and final part in the golden age trilogy by giles and martin aka the two armadillos. think larry heard, norm talley, delano smith and the likes! the a side once again is club track with a modulating, moody heavy, heavy bassline and lots of atmosphere. definitely one for big rooms but for deeper 5am moments with its strings and fluttering hypnotic keys. this has been going down a treat in both giles and martins dj sets for some time. >detroit dancer< has a jazzy scat drum programming, keys, plenty of atmosphere and sparkling synth solos. last up the downtempo musical and downright lazy vibes of >majestic< with its stand up bass, strings and keys play out and signal the final track of the trilogy of releases.

nice price deal !!! being in the same gene pool as pat sharpes hair is enough of a stigma to steer any young djs career off course - deep in the discos of pop trash. fortunately for metaphi / metske, although still benefitting from the same glossy 90s locks as the radio-jock/distant uncle, musical inspiration came from more complex climates. wigflex006 acts as a fine electronic switchboard to metaphis archive of talents, a complicated circuit board of the experimental ranging from hip hop, idm, and garage to blues harmonicas and classical rifts, seamlessly melted into one gloop of green circuitry where each musical discipline must co-exist with another. as metske the bpms hover around 95, the framework is hip-hop, the sound often skwee but the influences thereafter are endless, slow train blues clicks its way through a steam train intro before marring the lines between electronic music and the blues with a self-composed harmonica rift worthy of howlin wolf. at the same tempo spin states delves into the cosmic with pipey neon chords and bit-crunched bass: sega mega drive boss level business. metaphis taste for big room techno is blatant and genetically wigflex over sharpflex, and in terms of nationality its mongrel, half notts, half eastern europe. with concious mentis hes keeping things minimal but charged from lower frequencies and messmode progresses with some serious dancefloor swagger.

slapfunk is back with 350 copies of solid black marbled vinyl with 6 straight up grooves on it. anil aras and larry de kat are members of the slapfunk family but they also run their own parties called grooveroots. the sound that you hear on this ep is exactly the sound you can expect at their events. just oldskool bangin and freaky grooves

for the fourth release, hold youth presents a new member to his family. s3a is a new french artist who travel all over the scene for some years, but finally release his great music. after his first acclaimed works on phonogramme, he brought us 4 deep and moody tracks, where he draws his style from his standards. we remind you that we work vinyl only, so check your dealer asap for this essential 12 inch

imperious spanish imprint deep explorer reaches release number 26 with a split ep featuring altered moods malcolm moore alongside long time explorer bjak (real name brian cullen). bjaks two cuts - >rhythm of love< and >purple fire< - are both produced with typically immaculate poise, but its the sultry nature of the latter cut that had everyone at juno hq swooning. malcolm moore meanwhile serves up the swooping chords and rock hard bump of >love (a perilous thing)<, which features an ethereal vocal contribution from debra jones-davis, who talks about the dangers of the l-word while the lush arrangement works deep below in the mix. jenifa mayanja rounds off a consummate package with a shuffling, latin-influenced remix of >love (a perilous thing)<.

next release on claap coming up and it is another gummihz affair! after his last release on claap head rush last summer was snatched by the guys at defected for the defected in the house series, alex is back with his next record aptly titled rejuvenation ep. this two tracker carries a pair of absolutely necessary house grooves. rejuvenation features an elegant arpeggio which builds up to an intense crescendo bound to hypnotize dancefloors the world over. intense but very elegantly produced it carries alex’s signature sound and explores a similar musical territory to secret voyage (claap004) which has received overwhelming responses since its release. the motif on the flip side remains similar but with a more mature soundscape, showcasing alexs endless sonic diversity. add a bonus beatzz extract to round up an essential ep for the open air season and not only.

the next gorgeous release on mad musician. this time frank muller presents the horizon remixes. horizon has been one of his biggest hits and one of cocoons & somas best selling vinyl re-released and new mastered. ulrich schnauss the master of electronica, funkdvoid the scottish king of techhouse, tigerskin as one of berlins busiest producers and beroshima himself. 4 remixes by senior master producers. each single name stands for an outstanding quality. the funkdvoid remix and beroshima mix has been remastered. those two mixes were released on soma in 2009 but not distributed in many areas. ulrich schnauss comes with a gorgeous techhouse mix and we are glad that ulrich will do some techno productions on mad musician. you all must have heard of tigerskin and his well crafted music. this outstanding producers comes with a classic floorstomper american style. the funkdvoid mix is still one of my all time favourites next to beroshimas skyflyer.

as ajello say:the idea for a cover version of n.o.i.a.s looking for love was born a couple of years ago - an idea of alessandro piatto, younger brother of davide piatto, original member of n.o.i.a. as soon as alessandro proposed it,we asked whether we could have the original tracks but, unfortunately,they have been lost over the years.immediately his brother davide brought together the original lineup of n.o.i.a.and locked them up in the studio to record the voice from scratch and some of the synth parts. our intervention was first on the drums, replacing the original for a more uptempo beat, and then the bassline, shaping it to a more modern sound. the vocals were treated with filters and echoes,and we also added some new guitar parts and synth lines. it was an honour to us, ajello, to bring to light an italo-disco classic that has really influenced us and we have put all our efforts to create a version that is timeless, as much as the original.

we are overjoyed to get two of our favourite house producers onboard the local talk family for an amazing release. with two jacked up house cuts that goes perfect with the local talk sound it feels like we got a winner on our hands. first we go deep, real deep! sunday morning is the ultimate end of the night house cut that brings back memories of those melodic bobby konders productions. its a beauty! on the flip we jack things up with misdirection, a thumpin deep house cut with a chicago inspired groove that aims more for the floor but without loosing character. together the two tracks deliver the perfect local talk release. deep, old school, funky but most of all ... 100% house! local talk is talking to you!

the restless berliners are back to bring some sun back to the dancefloors. fargo is a real open air hymn which you can only love or hate. an oldschool organ bassline on a minimal house beat topped with strings and disco vocals. this must be a hit. save yourself i a little bit darker but also a pretty strong track with a piano hook that you wont get out of your head too soon. the b side takes it back a notch with the more laid back tracks now youre gone and the fargo remix from the young and talented mass digital from serbia. thats proper deep house here on keno records.

ok, we know what youre problem thinking…not another marvin edit! but hold your thoughts, this is something extraordinary and one of the best arranged and produced (not edited) tracks weve ever put out on gamm (no joke). with extra added keys and various production elements this is a 10 min and 52 seconds long boogie monster that will take you on an emotional ride youll never forget. yes, its that hot! but the flip isnt bad either with the revivra crew going uptempo with a super rework or remix (your choice) of crown heights affairs all-time ballroom classic. just like with the marvin track theyve turned the track inside out to an almost 10 min long disco cavalcade. the weekend starts and ends with this fantastic ep

amplified cointinues their quest to find new and interesting talents out there. disco in distress pt. 3 again is an amazing collection of slow house and disco. quell comes with a slow house joint that even has some techno elements: rough beats and tough stab and synth work. s3a (sampling as an art) has had an excellent release called continuation early 2012 and serves you with another killer discofied house tune holdin’ on here. russian newcomer kirill delivers the breathtaking house cut feel the broken line. last but not least sellouts does what he does best: slow-mo-spaced-out-disco in she knows. tip!

prplxs entitled fabric of space explores the deeper side of the breakbeat spectre. clever drum programming as well as going in a bass shakin direction, it reminds us of early bluenote & speed days but definitely with a modern touch. these tracks are another testament to prplxs love for the breakbeat. also included here is the roadtested taiga track which starts of deep and hypnotic but surprises you with the harsh amen drop, raw synth and dark male reggae vocal, do we hear a r.e.w.i.n.d.? the album will be released in two parts, the first one is a 250 handnumbered edition on 180 gram crystal clear vinyl (with special 75mm labelcopies and innersleeves) including free mp3 download codes and wrapped in a sealbag. all tracks have been mastered by stuart hawkes from metropolis london. support comes from all the usual suspects. on a first come, first served basis only

after the well received clone s.o.s.>all around the fires< ep and his debut vidd 001, marco shuttle starts an adventure with his very own eerie records label. first trip is a great 3 track ep in marco s signature sound. deep, super deep acid & 808 driven grooves and dark dubby reverbed drums and dramatic strings. phat tracks that sometimes remind of early aphex twin works on the selected ambient works and surfing on sinewaves but then the marco shuttle way. dont sleep on this one! recommended.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

killer release on new yorks sequencias label. powerful and hypnotic chicago acid inspired cut on the a and a cool slow building chord driven track layered over raw drum rhythms on the b-side. recommended!! label promo text: sequencias does not stop, does not conform, takes no prisoners. our third release brings you a pair of artists from two different points along interstate 94, who have a reputation for the very same. so lets get to it. the main body laid down by villan x is tight metallic percussion underpinned by solid kicks and a stream of robotic filtered bass, containing unexpected shifts within the frequency register. foreboding tones and feelings drift towards us across which the disembodied voice of kold is able to find a platform from which to shudder into our consciousness and pose questions from across the galaxies about the nature of our very being. dcantu carries on the feelings of space, with protracted white noise shots and stabby modulated organ chords, but doesnt leave it long before setting the pace with solid drums and shifting keyboard funk aimed squarely your body and the dance floor as octave changes force you up and then down again to a backdrop thick with texture. this provides for the body and the mind. act fast though, sequencias does not like to rest.

an ambitious but club ready album of 303 centric dance tracks. 8 cuts that ably followup his breakout single nonneo from 2011 which launched the popular acid test series on absurd recordings. pressed on dj friendly double vinyl with a full printed sleeve. red hot.

2 highly respected producers/djs. why have you not heard of them? because they are using stealth alias names to allow them to put out this exclusive white label series. but trust me, you know who they are! this is the second in the rogue edit series, another white for the collection.

r&s are proud to announce the debut single from new signings teengirl fantasy. with the superb >7am< released in 2010, and the un-escapable >cheaters< anthem from that album still lighting up dancefloors, it is now time for tgf to step up with album number two, but before that non album track >motif< is bold statement of intent.
on remix duties steps up actress, who has just released his amazing >rip< album, as soon as you put the needle on the record you know it couldnt be from anyone else. he has supplied a deep and heavy groove that is deceptively simple, yet sucks you in and leaves you wanting more.

a delicious six-tracker from our man from a.n.t.w.e.r.p. featuring remixes from fulgeance, cubic animal and joash and even a smashing house tune by the man himself. tall glass of water kbonus takes it slow this time with >dance baby dance<, a ridiculously groovy slow jam featuring vocals by jtothec, destined to get things shaking around the barbie at garden parties around the globe this summer. fellow antwerp producer cubic animal keeps the tempo but adds some funky abstraction, while french beatmaker fulgeance cuts some minutes, toughens up the beat and throws in some arcade game sounds. british compost darling joash then jazzes up the tune with some fine drumming and double bass. bonus track >strength< is a mean house stomper for the wee small hours of the morning. now thats what we call a six-pack.

it is a bold move to describe someone as the new, male equivalent of the late amy winehouse – but those really are the best words for the motown-revisited sounds of bo saris.
holland-by-way-of-ladbroke grove singer bo saris has made quite the impression in his native netherlands, but wanted a change from being a big fish in a little sea, and is now looking set to break onto the uk scene with his powerful vocal register and soulful intonations.

uk stalwarts jamie anderson and owain k team up again for another sumptuous slice of contemporary house music on steve bugs dessous recordings.jamie anderson has been exploring and manipulating the links between house and techno for over 15 years, having released on numerous influential labels, both solo and as a collaborator with other top artists. but its his work with bristolborn hot-property owain k that is currently exciting discerning dancefloors worldwide. do you know, their latest collaboration, sees jamie and owain drop some serious sunshine grooves - shuffling hi-hats and a classic, chitown synth let you know that this is all about the good times. the spoken word vocal pays homage to forgotten jazz legends – the uplifting vibe sure to put a smile on the faces of dancers all summer long. jamie and owain switch it up on the other main track in this release.keep it pumping drops the tempo to 118bpm and digs its toes into the sand for a balearic-tinged nu-disco stomper. disco toms fire, the sub bass rumbles, and spacey synths and vocal samples wash over this expertly crafted sunrise/ sunset groove. a dub of do you know rounds off the release from this hugely talented combo

marius vareid revisists the title track of last years debut album in two version here and other than the connotation that telemark evokes, its perfect summer bizniss in the 12inch edit version thanks to its bobbing flanger chords, the unhurriedly striding bass melody and the carefree clattering percussion. the klubb version sticks to its promise, keeps the trademark chords but they sound way more athletic in its sparser environment of beefed up drums and frantic percussion. powered by a slightly moody feeling bassline and its buoyant, exuberant synth melodies the brand new il tempo gigante on the flip is a prime example of the scintillating, heady mixture of disco roots, house and dub antics. as an extra bonus prins thomas adds a tropical-sticky interpretation of villa farris (originall version on fp024)

repress 2015! after several cooperations with aka aka and niconé, umami come up with their first very own single. we dont need words should explain all what you get from umami: melodic but stripped down to the essential ingredients track which make them catchy and danceable!

tireless producer, tronic boss and top international dj christian smith here steps up for his first release on plus 8. over the years christian has offered up a high volume and high quantity of techno inclined singles for myriad labels (bedrock, systematic, 100percent pure, soma), so it only makes sense he now finds himself on one of the scenes most reliable outposts for such material. the two track ep kicks off with house is house which is, as the name suggests, a little house-ier than the flip, but still deals in plenty of heavy bass weight and slick repetition. the devil is in the detail filtered, dark voices, rattling cowbells, washes of white noise synths and long, thin, forward looking pads - all of which are married to a mid-tempo groove. the more forceful indulge me then follows. taught kick drums start immediately as claps and subtle synth stabs swell in volume until they eventually fill out the whole airwaves. squirming behind are thin and icy steel lines until the first drop when the deliciously bouncy groove sets in proper. far from aping the usual detroit and chicago tropes, christian smith has once again crafted two classy dance floor joints that are not only exquisitely produced, but that bare all the usual hallmarks of christian smith, one of the most consistent producers in the game.

with daughter & son on the b-side of the vinyl, the freiburg native presents a groovy, playful and impulsive sound that is guaranteed to let a summer feeling arise. set between classical techno and modern tech-house the title track daughter & son points consistently towards summer. patrick kunkel & dirk redmer refine their remix with a hypnotic bass line, but then let the track, with its dub elements and the choir parts, drift so incredibly beautiful into the sunrise, that one would wish for an infinite loop. the beach with its more playful harmony feeling and percussive gantry gives a first taste of the open-air season 2012.

deep but purposeful, this is house music for the cosiest of late-night dancing spaces that will no doubt bring plenty of deserving attention on trevor deep jr.

nice price deal !!! after three releases of darkened house, proto rave and weird techno, hollands boutique purple maze label takes a detour into funky disco territory with prime numbers and firecracker craftsman fudge fingas at the helm. his amaranthine labyrinth ep is lively, bright and sugary, but still features plenty of complex analogue machinery to get you dancing.eyes on the prize opens proceedings with some distant bongos, glassy percussion and punchy kick drums. its a jostling track with insistent claps running right through it that really comes alive when some sweeping chords bring irresistible colour and funk.

after a busy 2011, nicholas slowed down the pace of production in 2012. here the italian producer returns with a new single for 4lux and what a banger it is! title track life goes on is a great club tune with uplifting bass, beats, rhodes and cut up vocal bits. ny stomp comes with a killer remix in the vein of the famous ny house trak: hard hitting old school beats and tough groove. on the flip two deeper but equally good nuggets in all i can give and messed up generation. some of nicholas best work to date!

fantastic remastered reissue of the highly collectable 1977 original uk ice records release >nobody s got time / timewarp<. produced by eddy grant and performed by the in-house band of his coach house recording studio, side bs groundbreaking instrumental >time warp< is the absolute must-have here. this deep and minimal track takes you on weird reggae-tinged psychedelic disco journey and is hailed as a seminal early proto-house classic popular in chicago as well as being huge in ny at mancusos loft, paradise garage etc. with its unmistakable falsetto riff, tweaky synths and a walloping bassline, this truly is a timeless electronic weapon! side as >nobodys got time< is more of the same but layered with eddys great gravelly soulful caribbean vocals - super funky. do not miss this!

not only is ian o donovan presenting his new alter ego chromezone to the masses and has dexter backing him up, but this is the first 100% pure, electro release on the label.

following last years acclaimed curse of soft rocks album, were invited to revisit said masterpiece from an alternative entry — a robust compilation of remixes. each track is wildly re-contextualized leaving us with a beautifully obtuse yet complimentary rendering. personnel employed vary in style and technique drastically, but such is the ethos of soft rocks, and furthermore the esp institute. at the end of the day, we implore you to shut up and listen. on this 12inch (the second of 3 surrounding the revenge of soft rocks remix album) esp mainstays cos/mes deliver a deep and sensual yet sinister take on little lights, and side b reveals an upbeat dubbed out version of wicker man by zurichs own lexx (running back, permanent vacation, leng) good lord this is quite a piece of wax!

this release should have an all natural ingedients sticker on it. all sounds you hear are from traditional instruments - recorded on various occasions in ivory coast. it took mr raoul k quite some time to get his hand on all the raw materia he needed. he then cut it in bits and pieces and rearranged the sonic puzzle to a slowly evolving track. join his journey that starts in the cold of a desert at night. the temperature rises with the sun. when things heat up too much, you have to take a rest in the shadows beneath a tree. meet some fiends, talk and relax - but dont get lost. keep you groove alive and head toward your destination. choose vinyl, please!!!

herbie hancock is one of the most prolific jazz pianists of the 20th century. a child prodigy, he played with the greats such as donald byrd and miles davis. he was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound.
music on vinyl is re-issuing this hancock gem for the first time since 1973!
pressing on 180 grams audiophile vinyl.

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

we really dont know what they put into danish water, but somethings gotta be responsible for all that freeform talent pouring out of that country. think of whomadewho, jatoma, when saints go machine or kenton slash demon, all sharing a keen sense for structural complexity made accessible through emotion and pure boldness. these guys freed their minds a while ago, so the asses seemingly followed suit and now constantly demand to be shaken. with two of those acts already signed to kompakt and the other two being staff favorites since their first acoustic blurps, it was just a question of time until we would discover another totally unique producer from denmark. enters taragana pyjarama, a project whose music is as refined as it is chaotic, described by some as a fairytale with a bassline.
comes as double 10 inch vinyl, including cd-version of this release.

earnest endeavourss third ep comes from the cult new york and los angeles experimental mc and producer duo of jimmy jams and bobby evans aka widows. their self titled widows ep is a wildly creative debut release of drums, raps and electronics that sounds like the future but uncannily like a distant past - utopian, poetic, bass-driven music underpinned by the utter freedom of creative expression.

thats some serious shit ! is a new record label dedicated to old house music and to dancers. following the steps of kerry chandler, mr. fingers, ron trent, masters at work and so on... away from the hype, we want to bring back the spirit of the early 90s when house music was not only music, but a communion of body, soul, freedom and love. we hope to get you with us... in the dance, in the club. now ride on the sound

in italys deepest south, where summer sun is harsh and burns you at midday, sweat is real. you can smell, taste and feel it. it s cold sweat. from constant fear, that haunts people in the dusty streets like shadows. some say, its only paranoia. but you can t deny the kidnappings, the stick-ups and the killings. police is doomed to watch, hands cuffed, since the power lays in the hands of others. who are they? they are invisible. you can only see the bloodshed and the tears. and like everywhere else in the world: violence is always calling for more violence. this is the life of jack curtu. and his music takes you there. three slices, each unique in style, yet united by human rage, misery and desperation. senza via duscita - theres no way out! lux rec knows.

for the next outnl we prepared a package with 2 of our favorite artists of the moment. on the a side we have a track by glaswegian james johnston who has had an immense year with releases on labels such as fine art, under the shade and boogie originals. we are very pleased that james decided to release his deep burning that was now on outernational. on the b side we find ben la desh. who returns to outernerational with the breezy but ferm drug carrier. while his previous release doctor bills is still making its round through the clubs and podcasts. we are sure drug carrier will even turn more heads.

unreleased egyptian jazz: 2x45s set in a unique hand-printed fold-open pyramid! four sides of previously-unreleased ethnic mythic mystic jazz from the legendary egyptian drummer! before the re-release of his album with the cairo jazz band recently, the name salah ragab was best known to jazz fans and record collectors by way of another lp that was recorded with sun ra in the early 70s. his album >prism music unit< with the cairo jazz band was released in egypt with another by the cairo free jazz ensemble, but perhaps only salah himself knew of the other songs he had recorded at the time, but didnt make it onto these lps. the tapes lurking for decades in an old trunk, its taken until now for them to see the light of day, and we present them here as four amazing pieces of egyptian jazz on 2 seven inch singles. entombed within a hand-printed, hand-made pyramid shaped box, this is the first time in 40 years that these recordings will have come to light. ladies and gentlemen, behold the splendor that is salah ragab and the cairo jazz band!

the final track of this release is an unusual track with at least an unusual name intelligent gum, which took a worthy area of the second side of vinyl. first of all, this track is remarkable duration of sound. despite the fact that it’s track so long lasting, but this it wants to listen again and again! it is quite hypnotic. soft as wadding and tasty as a chocolate with a delicious taste of liquor. in the course of listening you will find a lot of mystery and surprises for you, just enjoying the taste of chocolate with liquor.

sashas ever growing label last night on earth presents the first in a series of releases from electronic wizards ghosting season. the growth of ghosting season came naturally from their previous project worriedaboutsatan, in their own words: our work was still a network of dark, brooding - yet euphoric - electronica, but there began to appear towering, vibrant, and inescapable moments of dance music

early support by adam x, kyle geiger, jonas kopp, and, arnaud le texier, freddy k. resiliens recordings is not only a simply independent record label but it presents itself as a project much more detailed and complex. it wants to be an idea, an impulse: the paradigm of artistic, visual and sound contemporaneity. the purpose of the group is to reinvent, assimilate and re rework the contemporaneity according to an independent and multifaceted artistic sensibility. according to its intrinsic meaning, resiliens was created with the intention of creating a new way of thinking and making art, able to react to external influences of modernity, transforming it without getting stunned. the genesis of a movement that embraces every artistic aspect, in a profound synergic interaction and collaboration between heterogeneous parts whose point of arrival is a complete artistic experience, in its deepest sense. the final goal of resiliens is therefore change the existing schemes, through clear and obvious messages around the entire artistic path: from production to exposure.

das indie rock-quartett the plea stammt aus dem kleinen irischen dorf ballyliffin, und nachdem sie im letzten jahr die ep >nothin but trouble< veröffentlichten, erscheint nun ihr debütalbum auf planet function. produziert und abgemischt wurde >the dreamers stadium< von chris potter, der unter anderem auch the verves >urban hymns< oder i am kloot produziert hat. the plea überzeugen mit druckvollen, hymnischen songs voller hingabe und dringlichkeit.

soon-to-be-stadium rock ... it could be played to fireworks on the pyramid stage at glastonbury. (q magazine)